Skip to main content

Imogen Cunningham and Women

Imogen Cunningham
Coffee Gallery, 1960 by Imogen
Portrait of a Woman, 1939, by Imogen

What is on my mind today: the state of women in 2015. It's a vast topic, but I will make it local and personal. It seems that even in Silicon Valley, which has some of the best opportunities for creative people, women do not compete on equal terms with the men who run and fund tech companies. See, for example, the January 2015 article by Nina Burleigh in Newsweek: What Silicon Valley thinks of Women, which describes the sexism there as "sordid and systemic." http://www.newsweek.com/2015/02/06/what-silicon-valley-thinks-women-302821.html

In this same Valley, I teach at one of the top high schools in the state, a place where there is much talk about reducing the "achievement gap." Yet I don't hear talk about reducing the achievement gap between male and female students- particularly in advanced Math and Science classes, where we know that the students are mostly young men. This topic seems to have fallen off the radar in a lot of schools, while universities still lament the underrepresentation of female students and professors in these subjects. We are talking about 50 % of the population, which also includes those in the "traditional" achievement gap.

The subject of how we see and value women came up for me recently in an unexpected way, through the name of a great photographer: Imogen Cunningham. Recently I met with a famous author in San Francisco who had known Imogen. "Oh, she used to live down the street from me," he said, "and she kept asking to take my picture, but I kept telling her no. I didn't know who she was- she was just a little old lady. Later, I used to confuse her with Dorothea Lange." So I asked him, "If she had been young and beautiful, would you have agreed to have your picture taken?" "Oh, of course," he said, "but not because I'd want her to take my picture."

In the US, we fall behind many countries, and not just industrialized countries, when it comes to the representation of women in public life. We are doing immeasurable damage when we dismiss old women because they look old, and young women because they are women. When we look at women through the veil of youth, beauty, availability, potential for personal or financial gain, we strip away the possibility of fully knowing them and deny their potential to express their ideas and talents. That is what happened to Imogen all those times she asked to take that man's picture. 

Popular posts from this blog

Homage to Man Ray

In 2013, the Basque director Oskar Alegria introduced his film " The Search for Emak Bakia" at the 56th San Francisco International Film Festival. An exceptional experimental film, it weaves documentary, storytelling, and history while revealing aspects of Man Ray's time in the Basque Country that are difficult to appreciate otherwise. Emak Bakia means "leave me in peace" in Basque and it was also the name of the house that Man Ray lived in. In this movie there are scenes of women sleeping whose eyes are captured just at the moment of awakening. These reminded me of some of my favorite Man Ray photos, such as the one of Kiki de Montparnasse.  http://emakbakiafilms.com/fotos/?pid=1 Kiki and the African Mask, by Man Ray 1926

Balthus

I come to Paris to be reminded that art and love are one and the same. Both are driven by a desire for wholeness, creativity, truth, surprise. At the Centre Pompidou, I saw a Balthus that was just donated to the museum. I haven't seen a reproduction of it anywhere and, standing there, I felt that coming all the way to Paris was worth it just to see this one painting.   A new Balthus at the Pompidou, Paris Art, like love, sometimes involves transgression. Balthus said, "  I want to proclaim in broad daylight, with sincerity and feeling, all the throbbing tragedy of a drama of the flesh, proclaim vociferously, the deep-rooted laws of instinct." I learned to love Balthus as a student in Wayne Thiebaud's painting class in college.  From the perspective of the painter looking at a Balthus, one quickly sees past the erotic elements and is struck by his masterful technique, a method based on years spent on one painting, using paints hand mixed each morning by his wife,

George Washington High School and Art Education

“If an  offense come  out of the  truth ,  better  is it that the  offense come than   that the  truth be concealed .”  Thomas Hardy George Washington High School in San Francisco is unique amongst other institutions bearing Washington's name. It is a treasure trove of New Deal WPA art that includes architecture, bas-reliefs, "buon fresco" murals and freestanding sculptures. These extend from the football field to the library. The school features an "Olympics" frieze by African American sculptor Sargent Johnson, and its architect was the pre-eminent Timothy L. Pflueger. This school, its name and even the site correlate conceptually. It was designed to showcase outstanding art and provoke reflection. The Sargent Johnson frieze In thousands of American high schools, AP Art History students learn about George Washington by studying a sculpture by Houdon. It is described in most textbooks with only a paragraph. On the back of this sculpture is a plow- a symbol of Wa